I'm not quite following the story, due to the style of mixing on the vox, but that doesn't make this any less a vibe.
My singular complaints revolve around balance and EQ -- hard to point out due to such hard compression on the master -- I think it's just a bit too brick walled. What's telling is how much more open the mix feels at 2:16 when slowed down and pared down a bit. Your high frequencies and sub bass are washing out on your drops as a result of going too hot into that level of master comp, imo. Maybe some of the blame can also be placed on bit-crush. Sue me -- but as much as I love bit-crush, it's hard to work with!
Paring back some dB on reverb and delay low end, dropping up to a dB off of instruments here and there, and even panning pad layers a bit left and right can help with this perception. The latter, I notice you've done quite a bit of for leads and rhythmic layers. I would make it a bit more extreme.
EQ wise, I want to hear more of your low mids and mids in general. 2:09 and 2:35 are much better balanced. Listen to how that transition opens up, bringing those freqs in. Without them, even though the bass is just as full at 1:38, it just doesn't hit quite as hard!
But that said, I love the style of production. Bringing this project back from the grave was certainly the right decision.