ADR3-N's audio Reviews on Newgrounds

[Do Me a Favour - Arctic Monkeys Cover]

I think your vocal volume could come up quite a bit, and perhaps bring the snare down just a little. Otherwise, great!

[Dj Halit - Basil]

That sidechain is actually a bit distractingly sharp and aggressive. Part of that is the kick and snare being a bit too loud at points. I recommend studying some reference tracks of your choice for house and see how to emulate the things you like about them in your own work.

Overall pleasant chord progression and good melodic writing!

DJ-Halit responds:

I'm glad I got some feedback on the sidechain specifically. I'll take your advice on board. Thank you for reviewing my song! :)

[black hole]

This perfectly suits my taste, with the exception that I think the bass could have more impact in the stereo space, had it more presence in mono below 130 hz and were it turned up quite a bit more. My headphones tend to overemphasize bass, so if it sounds a bit underplayed to me, it probably sounds more so on other systems. Double check that and let me know if you feel the same!

cad-mium responds:

yep I did this before I had gotten my hands on a subwoofer for my speakers, and my hd560s doesn't have the best bass response so I used to have a hard time properly mixing the bass. but I can hear what you're talking about now

[BASCUTI - SLEEP PARALYSIS]

Is that Ample Bass I hear, or is it Shreddage II?

BASCUTI responds:

Ample Bass!

[The Fae's Spell]

Wow, it's so jarring hearing so many realistic noises written in a way that sort of defies guitar playing.

Ample M is a true gem though

Toward the middle we are more approaching what a guitar can do.

I recommend relying less on chorus and delay to hide imperfections you hear or lackluster writing, and more on simplifying your grooves. Guitar is more a rhythm instrument than an ensemble. If you don't like something, try making cuts! That said, keep doing what you do. Originality makes the world go round :)

["Patience, Child"]

The mix on the section at 3:10 is just a bit too blown out -- could use double tracked rhythm guitars, 2 separate instances panned left and right, less compression, less clipping, and clearing out low frequencies from reverb wets from what I can hear. The levels however are pretty okay. Recommend if you want this level of brick wall to clear out every offending frequency, harsh noise, hiss, guitar tone, etc.

Beyond that, fantastic mood. Consider farming successful!

[Too far gone]

With a little more compression on the master, some more clip on your drums, a revisit of overall eq of the tracks to de-emphasize some of the freqs around 200 hz and bring up your sub, this would 100% bang for me. You've got great groove, a solid theme, good atmosphere and transitions, and interesting sound design. Great work!

Another note, my monitors consistently overestimate bass frequencies. Given that, I would suggest turning down your kick very slightly, and bringing your bass up considerably. Your sidechain is hard enough that it's safe to do so. That may fix 80% of what I was complaining about.

Aistis responds:

Listening again on my monitor headphones, the most annoying part for me is the low frequencies of the kick drum. I've also compressed the bass a bit and made it ever so slightly louder. Although the rest of the mix also needs to be revisited, I don't think I have the skills to properly EQ everything. I'll upload the edited mix once the judging period of the underdog contest ends.

Thanks for reviewing :)

[3manon - Irish Adventures]

Overall the composition, effort, and ensemble I hear in this piece aren't bad at all. I'm just having trouble with the clarity. The amount of reverb is occasionally masking the finer aspects of your mix, particularly on larger sections where the kick comes in. I recommend taking this value down a bit, but more than that I recommend surgically cleaning out the low freq noise via low cut on your reverb. Hopefully it has that function.

Great to see this kind of experimentation going on in the AP. I actually love bagpipes!

3manonMusic responds:

Ah, Thank you so much for the feedback! Bagpipes are hella underrated indeed, just like the throat singing from last year XD
And yea, when I submitted this piece to my mixing class I got the same feedback about the reverb. Overall I think the composition kind of balanced it out tho?? That's why I submitted this one from this year, because I think it is my best composition. That being said, thank you for the feedback, and if there's something else you want to talk about don't be afraid to hit me up in pms :)

[Souichirou Tinder Match]

Some kinder attention to mix, side-chain, and panning would have made this an easy 9.5 for me. Your transitions are good, breaks are crazy interesting, and melodic themes are easy on the ears.

For some reason the bass doesn't feel very driving despite being present in the mix. It feels like it's been stereo spread or chorused in some way perhaps even clipped beyond its limits to keep a good sub balance. Kick is also not sticking out above it but rather sitting under it. Snare and kick in particular need more volume.

Leads and pads also don't sound super clean to my ears. They are sticking out above the snare which typically is a no-go for DnB.

That said, great atmosphere and composition. I really enjoyed it!

2keg responds:

Totally agree, the mix was really hard to "mix", I just threw in the towel towards the end

Anywho thanks for review Mr.ADR3-N

[Pandora's Box]

I actually think this would sound better and much cleaner if the compression weren't as hard on the master. It's hiding your sub and growls! The composition itself is great. I just can't sense where we're dropping or dynamic movement of the piece because everything is uniformly loud