ADR3-N's audio Reviews on Newgrounds

[Wanna Be With You Dear]

Shreddage is one of my favorite E guitar synths.

Some things I would recommend, spreading out your guitars more -- double-tracking the rhythm with the A and B options in Shreddage, and panning them 100% L and R respectively with slightly different amps or cabs. This will help create an illusion of space.

The mix and arrangement somewhat harms the feeling of space, despite nothing being terribly wrong with your E guitars. Having used Shreddage for 10 years I can identify the single notes in the high octaves chugging along at slightly different velocities. I think more FX was needed there, more modulation. I can easily identify repeat notes, and it sounds a bit naked and clean. Sounds balanced slightly more to the left channel.

That said the arrangement is great, it just sounds like a few of the guitars are out of balance, either hiding in the mix, not doubled, or just slightly too loud without having been panned strongly enough. Other than that I have no complaints.

Also, the master is very quiet for such an energetic and happy track!

Otherwise, great work!

78/100

SnugglyBun responds:

I only been doing rock and related music relatively recently so there's still stuff I have to learn about it. Thanks for the kinds words and feedback.

[Blessing of Nature]

Great arrangement, fantastic writing and chords. Mix and instrument choice is where this track stands to benefit the most.

For instance, the guitar sounds like it is only single-tracked instead of doubletracked with one instance left and one humanized similar instance right. You could also afford quite a bit more volume on it and the bass. The pads are burying it. That would also necessitate turning up the kick and snare, and possibly the cymbals as well.

On instances where you have horns, I can hear that they are single instrument patches, or if it's an ensemble, they just sound pretty thin. Are those Spitfire horns? I have a similar sounding patch in my own library.

3:16, that stringed pluck instrument is really far out to the front, really dry and naked in comparison to the rest of the instrumentation. Recommend either switching it out, wetting it with FX, pulling it back, or simply doubling up more layers of similar instruments with it.

You shock me again at 4:16 with another crazy section. Great composition.

All in all, given the strengths of your composition, some earsores like the meowsynth sound sticking out at 4:36 can be forgiven. I would revisit the mix and master of this, but it's otherwise great.

[One Btn Bosses: Revolution Resolution]

crazy good composition and olskool videogame feel, hampered only by percussion samples at points sounding weird, namely cymbals. They sound almost... flanged or chorused somehow. Really weird feeling.

Recommend bringing up kick and snare and reevaluating space in the mix versus your favorites out of this genre. Reference, reference, reference.

Wonderful composition though. Might be the best I've heard all day, and I've been judging for a while!

ComposerEvans responds:

Thank you very much for your constructive criticism! I'll take some of these points into consideration.

Glad to hear you liked it! :)

[Out of Place]

These are my shortnotes from NGADM judging -- and before you read them, I want to say besides that, this song is friggin fantastic! Great emotion, great vocal performance, atmosphere, and groove!

----

vocal could use more crisp
hihat needs to come down, it's the loudest aspect of the mix and sounds too clean relative to the rest of the mix
bass can come up a bit and have more presence
snare could use a bit crisp in the 5k-8k range
bridge has REALLY dirty mix with rhythm guitar suddenly way too heavy in left channel

----

Those are the entirety of my gripes. Besides that, perfect!

Ajtastic responds:

Thanks for the feedback! I appreciate it! :)

[NGUAC2024 - Elimination]

That section around 3 minutes is crazy good writing -- what a lead riff!

With a more professional mix and master, this would make a solid 4.5 out of 5 for me. Since this is not my primary genre, I won't spend too long explaining, but essentially, what I'm hearing is a fantastic demo track. From the waveform, we see that it is not mastered, and the distrubution of volume is somewhat uneven.

In general, the drums are hard to hear throughout with the exception of the hihat which is a little too loud. The bassline could also benefit from more volume and presence. It sort of hides throughout as well. Leads and samples tend to be very pronounced to compensate for the loud hihats. Besides a few samples really jumping out in terms of volume, it otherwise isn't bad. It's just quiet.

Snare in particular really hides in the mix with few exceptions. It seems to be intentionally turned down at points like 2:20.

Great writing, great ideas. Was a real pleasure to listen to!

MutatedBacon responds:

Thank you for the feedback!
Yeah I was touching up this track when I was on vacation, which is probably why the mix is so sloppy. I'll use the points you made to revise it!

[Reclaimed Melodies: Voyage on Eerie Sea]

Approaches perfect, with the exception of some minor gripes about the growl tone of Monster Sax and a bit much reverb all round on the final chorus where you bring in a more lively instrumentation. Would appreciate a more upfront bass tone there and a little more volume on it. Writing is fantastic. Great work!

9.4

[By Default]

I like the base melody and chord progression of this track once it is developed. My problems with it would be best summed up as mix, followed by accompaniment.

The synth after the intro has very predictable stepwise movement, and the lead that comes in is too loud throughout. The track sounds as if harmonies were an afterthought or occasionally accidental, however, riffs are not bad at all.

Lots of mud in the low register. Amen is hard to make out due to lots of reverb on the track or other problems of levelling. Leads are consistently too loud for instance, and there is a lot of clutter.

2:16, the kick rhythm sounds almost out of time with itself/the track.

I like the modulation on the rhythm at 2:34 including the bit crush. However, I'm not able to determine, is this the bass? No, I hear a bass after that. The bass is hard to discern due to issues of levelling.

Rhythmically, your breaks are very interesting to listen to -- can never have enough breaks <3

4:34, the bass here is one of my favorite sounds, period. It's sounding very over-reverbed and spread out. I would place the bass squarely in the center and mono-ize it below 150 hz. It sounds like in order to achieve depth throughout, you're using reverb and delay, which is not a bad thing, but it's very easy to overdo.

If this were cleaned up a little, I would happily give my 5!

6.8

[~Time~]

My main gripes with this piece are vocal performance and vocal mix, and reverb mixing decisions. The vocal is not very present in the center, sounds like it needs to be de-essed manually or via plugin, and is not very uniform in volume. It also is somehow out of tune on lower notes with the instrumental. Whether this is because of detuning of the synths or otherwise, it's noticeable for me.

The vocal additionally may have sounded better with a doubled higher octave.

Lyrically, I'm having a hard time understanding the vocals, partly due to mix, partly due to what sounds like cramming the lyrics into an unusual (for those words) rhythm. This is somewhat common in trance so I'm willing to forgive it!

The bass also due to the level of compression, lots of reverb, and arrangement also does not shine as well as it could. I recommend reducing the level of reverb and reducing the low-mids of the reverb itself through hi-pass/lo-cut, changing the arrangement of your piano (the chords in the low register are a bit muddy), and potentially even changing out those keys for another instrument entirely.

Are those nexus keys?

Basically my entire review could be summed up to, good ideas hampered by a muddy mix. Still, the melody is catchy, and I love this genre. Really takes me back. Keep up the good work!

7.2

ImmyShack responds:

Finally, some actual criticism!

Other than adding an EQ (vocal preset from EQUO) to boost the high ends I haven't changed anything in the vocal.

The lyrics are nonsense, hence why I didn't add them in the description. Just what Dooky Mackey (credited writer) had been drinking?!

The piano preset comes from nexus, I wrote a double octave piano to add background in the bridge between lead section #1 and vocal section #2.

I'll see what I can do, thanks.

[Random Number Generation]

I'd put it in DnB personally, because there are enough breaks that people there will appreciate it!

This song is really, really varied. Thus hyper LOL

It's also really sibilant, with the leads heavily overbalancing the bass and breaks. I'm still tapping my foot, but I would certainly revisit that mix for clarity and back off some of the high frequency instruments, as well as reverb wet signals.

Overall, great impression and arrangement, hampered only by comparatively minor flaws of mix.

8.5