ADR3-N's audio Reviews on Newgrounds

[desolation]

Вау, интересно звучит -- а вокал атмосферный. Жанр колеблется между хип-хопом и … не знаю, может быть ло-фай. Вот ощущение печали просто кайф. Я бы проверила эквалайзер на мастере, чтобы исправить немножко плоский АЧХ, но в основном, трек хорош.

cantbemyself responds:

Спасибо! Да, у меня со сведением и мастерингом проблемы, мягко говоря))

[Forest of Eternity]

Crazy that you made this with the JV-1080. One of my favorite synths -- as it was used for many of my favorite soundtracks coincidentally. It definitely has its limitations though, when it comes to realistic instruments in particular. The extra hard attacks of the double bass no matter what, the attacks of the strings and brass -- for an orchestral score, I would almost never use something like it.

Where it shines ofc, is perc and synth sounds as we see in your outro. I wish I would have heard more of that (and I would love if I could reach out to you for samples sometime, but that's besides the point!)

As a composer, you're fantastic. This song took me on a walk, a run, and a flip on the trampoline. Great voice leading, walking bass lines, and resolutions. I think if you had better sample banks at your disposal with more articulation/realism, this would smack!

BigBlueBazooka responds:

Thanks for your insight. I actually like the sound of the sampled real instruments, it reminds me of the many video games which used this machine and, other like it, immensely.

[Belong (NGUAC 2024 Version)]

Really interesting choice to bit crush all the accompaniment. If more was done to make up for the spatial and clarity issues that bitcrushing causes, especially to double/spread/pan instances of the ukelele, I would score higher.

I particularly feel that as the song develops, more stringed instruments such as guitar could be brought into the fold on the sides. The side presence is really where I feel the song is suffering.

Vocal performance is good. Just need to get things meshing a bit more. Modulating the amount of reverb is an idea you can try, as well as experimenting with gentle panning.

AveragePhoe responds:

Hi! Thanks for the feedback. I agree with pretty much all of it. I'm working on a single version that sounds much better already. It's hard to focus on mixing when you've got a deadline, really.

[Mr.Must3rd; Meowtronica]

That is the most insane transition into midtempo I've ever heard in my entire life.

What stops me from rating 5 is that master is quiet, especially for midtempo and adjacent genres, and the track lacks a strong center channel, particularly for the bass which sounds very spread out. These two factors suck out the power from your drops. A little study of mix/master and some references to test against and it won't be a problem for you for very long.

Great work, seriously :)

MrMusterd responds:

this is actually something I just recently learned to do without COMPLEATLY destroying the mix. this one is Mastered to -14 LUFS, which isn't optimal but I didn't trust myself to push it further because I started noticing some distortion. As a broke 16 year old jit in my bedroom, I don't have any mastering plugins which would be cool, but the Kilohertz limiter is decent enough to use and catches most intrasample peaking, but its not perfect. I was able to push my last song to -13 LUFS which is an improvement, and I'm glad I was able to pull that off! if you have any advice or criticisms, please that stuff is like gold to me! :3

[Tree of Life]

I can find very few things separating this piece from contemporary filmscore of the last few decades, beyond perhaps a little bit of mix balancing here or there, a bit of panning or stereo-staging. It is suitably ambient without boring the listener, makes great use of various orchestral lead patches and their articulations such that they are almost indistinguishable from live playing, and is emotionally varied with fantastic transitions. Very satisfying listen.

HollandAlbright responds:

Thank you so much! I really appreciate that

[5. Moonflowers Grow From My Skin]

I'm rating 5, because your story made this grown ass woman cry like a little girl. I was teased relentlessly in school too, for being fat, for being ugly. None of these things was actually true. I look back at my photos, and I looked like a normal kid, even a good looking one. I just never wore makeup and was AVERAGE weight, not heroin chic. >.>

My mom unfortunately kind of played into this by telling me whenever my hair was even slightly sweaty, when I had a pimple or three, or if my clothes didn't fit right because, well, I was still growing. She didn't mean to, but she did. And the elderly lady my mom sat with couldn't see too great, so she said, "my, what a handsome young man you've raised," when I went to visit. The teasing at school about whether I was a boy or girl was ridiculous.

But my grandma always told me I was pretty like my mother, and so did my dad. I wish it stuck!

One thing that did stick was this, a verse from the Bible if I'm not mistaken: God is no respecter of persons. Meaning, it doesn't matter how much money you have, how hot you are, or what you can do. God looks at us all as equal.

GlowBoyMusic responds:

My heart is with you. I am glad to see you around here once again, ADR3-N.
Everything you have practically said from your experience, I can charcoal a tick next to in similarity of my own experience. Body image issues start at the most tender root of someones life, and the longer it festers, the worse the resulting damage. And when parents ignore or otherwise escalate the agony, you feel as if you could dissolve into nothing.

Truly, you are not alone. Trauma can be cruel, unrelenting, and unforgiving. but when it comes to putting it into a piece of art, it can be a key to relieving some of that burden from yourself.

This whole album, is an example of me relieving myself from my trauma, forgiving my past regardless of its severity, and sharing with the world a ‘canvas’ made from sound. Colour, texture, tuning, length, and emotional direction will drastically change, and perhaps sound ‘unaudioable’ or even ‘corrupt’ in some songs, and some will sound polished, defined, and almost radio ready-like. All of this is suppose to represent my mind and heart as I grow, each track number is my age, and each description is like the caption of a fine art piece, telling the story about this point of my life in as much detail as my memory can allow.

Just remember, whether someone is spiritual or atheistic matters not, spiritual health means more than just your faith — it means rediscovering yourself through the aftermath, and learning how to walk again, and find peace with yourself inside; and out.

Mad love, and thank you for coming by!
Glow.

[Dj Halit - Basil]

That sidechain is actually a bit distractingly sharp and aggressive. Part of that is the kick and snare being a bit too loud at points. I recommend studying some reference tracks of your choice for house and see how to emulate the things you like about them in your own work.

Overall pleasant chord progression and good melodic writing!

DJ-Halit responds:

I'm glad I got some feedback on the sidechain specifically. I'll take your advice on board. Thank you for reviewing my song! :)

[black hole]

This perfectly suits my taste, with the exception that I think the bass could have more impact in the stereo space, had it more presence in mono below 130 hz and were it turned up quite a bit more. My headphones tend to overemphasize bass, so if it sounds a bit underplayed to me, it probably sounds more so on other systems. Double check that and let me know if you feel the same!

cad-mium responds:

yep I did this before I had gotten my hands on a subwoofer for my speakers, and my hd560s doesn't have the best bass response so I used to have a hard time properly mixing the bass. but I can hear what you're talking about now

[BASCUTI - SLEEP PARALYSIS]

Is that Ample Bass I hear, or is it Shreddage II?

BASCUTI responds:

Ample Bass!