ADR3-N's audio Reviews on Newgrounds

[Face Your Fears]

Each piece I hear from you is better than the last in terms of mix, master, arrangement, and libraries used. This is not only indistinguishable from a lot of the highest quality film score work I've heard. It's ... better! The only thing I could suggest is to make that brass feel like it's on as big of a sound stage as the choir and percs. It feels just a bit thin in the lower bone register on larger sections.

CloakedSoup responds:

Thanks for the kind words. I felt the mixing was okay/passable in this; if I had more time before I left for vacation, I would have done a proper mix and fixed up things section by section. There are definitely parts here and there where one moment, instrument, or section doesn't have as much clarity or the correct balance. Regardless, I still think it sounded decent and thank you again for the review!

[No Man's Land (Demo)]

I think with taming the reverb a bit, adjusting compression throughout (where you want more dynamic range and where you want less), and some minor bumps on the EQ would make this track flawless.

Great sound design!

Could do with some more panning and instrument layers on your strings, cello -- they sound a bit resonant as well, perhaps overly reverbed. I do wish there were more bass in the low and sub range to drive the track. But overall you took the mood, tackled and pummeled it to a bloody pulp. Nailed it.

8.4/10

Snikio responds:

thank you so much!!!
woah, our review is so specific, detailed and encouraging. thank you for making me HEAR things that was actually problem but I didn't realized when making it. I'll fix it😄 And if possible, can I ask your opinion again when I finish this track?? I would love to hear it!

I heard your condition isn't good now. Wish you the best ADR3-N!

[A Dark Moon]

It's like nothing I've ever heard from you, and yet it very much is your gig! Solid instrumentation, great structure, and driving rhythm section.

Vocal FX are great and I don't have a problem with the volume for the most part. Occasionally they're running rough shod over everything, but that's primarily on the prechorus. I would recommend more compression on the master or simply to mix in 32 bit floating point (with dithering) and turn things up until you feel that A, the levels are all still balanced, and B, there's just a little peaking on the limiter. Just a little. Export and see how you like it. The 32 floating will keep it from truly clipping, and you'll get a pretty dynamic mix (seems to be your goal here!) that is competitively loud.

The result is otherwise very balanced. I find it hard to pay attention to the lyrics because my attention span is that of a goldfish, but thanks to you providing them, I can tell you that they're great in terms of theme and flow. And as I listened, your performance is great. Every line rolls off the tongue.

Ps, props to your dad! I wish I could do music with my parents!

8.6/10

Mischa-head responds:

Thank you for the feedback!

[Space Truckin]

Really interesting sound palette you have going on here! When the synth bass comes in at 0:20 it's a bit distracting though -- sounds like it might be due to chorus or stereo spread. I would recommend rolling off the high end on it, since there isn't a lot in that range.

This would sound a lot better as a smooth ride, with a more pronounced bass guitar sound opposed to the synthy fuzz. I can't even tell whether it's a saw wave or a bass on part of the fuzz/crunch. It also sounds balanced left.

Maybe it's that I have ADHD but it's distracting me from the otherwise lovely arrangement and writing. Seriously, save this idea for a later date, because it slaps. (I don't mean take this down at all -- I'm very much a fan of redoing your own pieces)

I'm usually not a big fan of EZ-Drummer, but you've used it well here. I would only suggest to turn down the hi-hat volume a little. There's so little in that frequency range that it sticks out a tad.

The master is also quiet. See all those little peaks on the waveform? You can in all likelihood push this piece harder with compression. Do some light reading and experimentation -- see what you like!

7.7/10

Percentblue responds:

Lot of stuff I didn’t even know I didn’t know, thank you for the feedback, a lot to consider!!!!

[Performer - NGADM & NGUAC submission]

I think this is a bit stereo spread beyond its limits, BUT the combination of samples used, arrangement, and overall sound stage beyond that is great. At some points, particularly transitions, I would mind the sibilance -- bitcrushed elements as well. Bitcrushing can create shrieking freqs up there.

The mix falls apart a bit when the metal drums enter, around 3 mins. This is in part due to clip, crush, and compression being just a bit too severe and those drums being hot against a shoegaze reverb wash.

Still, the lyrics of this song are entirely relatable, vocal performance is appropriate, and the overall mesh is a consistent product. Great work!

8.4/10

GameBoyFireworks responds:

Thank you for the thoughtful feedback!

[La Mort D'Internet]

A well deserved frontpage -- and brilliant idea to have yourself get to doing a diary. I'm envious of your ability to speak off the cuff!

If this wasn't already frontpaged, I'd have done it myself!

As you go along, I notice your mix improving -- this one seems to have a bit much of high end rolled off for my taste, but the arrangement's variety and crisp progression makes up for a LOT in terms of mix. The vocal mix is crisper than the rest of the mix, making for contrast, but I actually think you could afford to de-ess manually and/or with a plugin to lessen such contrast -- as it actually heightens the sense of high-end rolloff for me. I would afterwards pump the vocals a bit more.

Spacing and texture in the mix is great, also makes up for the EQ profile quite a bit.

The addition of a sludgy oldschool guitar breakdown also took this to the next level for me. I'm not sure what genre I'd put it in -- experimental is a mixed bag. This might even be considered poppy, by today's terms. But I do feel the cohesive blend of breakbeat, hip-hop, and classic rock/metal in full force. Blending the three is a feat of magical proportions.

The master is also of suitable volume. Could potentially be pushed just a hair more.

Lyrical content is 100% on point. Lots of pop culture references, general brilliancy.

5/5 for friendship. 8.8/10 for competition

SkankyMojo responds:

Thanks ADR3-N, that's amazing feedback, the detail is very much appreciated. <3

[Autumn Girl]

I hate to say this, but the bass is really, really out of tune. Like wrong notes out of tune. Other wise I would have rated much, much higher! I would also look into some tutorials for mixing anime opening rock, because you have the composition nailed down to a T, but the mix feels a bit centered and tin-canny.

Besides that, great lead playing, great writing overall, and master looks perfectly compressed for the genre. Fix the bass, and you have solid gold!

itskosama responds:

yea, I got carried away with other parts I drowned out bass and it slipped me by.

But in the spirit of turning something in, I worried I might not have the opportunity to fix it and re-turn it in time when I noticed it in my car (it has better bass to standout). It's like they say, don't only mix with headphones.

Either way, I'm extremely grateful to participate because it pushed me to make something, anything. The time constraint, community event, and seeing all the cool creations is what I needed to fuel me to make more music!

Thank you! :)

[Keep Them Coming! (NGUAC Knockout Round)]

Having played a LOT of pokemon games on the Game Boy SP in my time, words can not express how much I enjoy the whiny strings and brass hahahah. Think that was emulating a french horn.

Your composition is striking, and your phrasing is fantastic. What could be improved upon is the mix on the bass, the transients of the gameboy drums to cut through, and bringing out the bass of the bassline in the mix, as well as overall mastering volume. A little googling along these lines goes such a long way, especially when it's the only thing getting in your way. Keep at it!

Voting 5 on NG for personal preference.

Interloping responds:

I definitely agree about the bass, Ive considered raising it a few times now because it really doesnt get a lot of chances to shine the way I want it to, especially since its constantly going hard as hell. Thank you for the tips, I need all the help I can get!

[Deep Down]

This is great! Only real improvement I can see to be made is the volume of the master to be more competitive with other songs of the same genre.

Farmobus responds:

ik but d't think it's a big problem 🤔. of course, i've tried to normalise it, but it d't leads to a good result hmm.

anyway, thx for your remark!

[~cC~ Hands Up, Alien Overlords!]

I really think that sax lead could be swapped out for another more obvious synth instrument and seriously improve this piece. Your key solos in particular were great. Any sort of synth would do, even a stock sine or saw lead, because it isn't your writing that holds this piece back -- it's the dadgum articulations on that sax! I just can't get past it. I 100% think that a different choice of synth would take this to the next level!

CelestialChaos responds:

I really appreciate the review! I agree that the sax was a little rough, unfortunately I kinda forced myself to include that instrument and use the best sound font for it I could find. I was happy with the way the solos came out so thank you for the kind words!