There is a haunting quality to the intro of this piece. It has a very avant-garde feel and an ambient style I enjoy. Reminds me of a lot of music I used to make years ago. Weird, unapologetic, and it is what it says on the tin.
Employing various effects throughout lends a familiar and alien feeling at once. Modulating the amount of noise in the recording through what sounds like low-pass further contributes to the atmosphere.
If you were to improve upon this work or continue in this vein, I think the samples would be best edited in audacity first, exported, and arranged in another DAW where you have more control, such as Reaper.
There are some concerns I have such as mic quality, position, and room noise, which are difficult to overcome in more conventional styles but work pretty well for you here, minus where sharp fades of treble hiss are noticeable. I won’t go into detail, given that you don’t seem to be going for a “pristine” sound, but these are worth watching some tutorials on for whenever you decide to branch out and explore.
If you were to record as is, the ever present noise probably should be removed and added in post where you feel it will provide the most effect. I notice your penchant for texturizing, as you have already employed this to some effect with native FX.
Typically this is how it is done professionally. A sample of pure noise will sit vertically atop the processed recordings, to be modulted in and out at will. This will provide a cleaner result and potentially aid in structuring the piece – coupled with having a beat grid, snap functions, and many more options for modulating parameters.
As is, it is difficult to ascertain tempo. Audacity has a beat overlay feature that I am aware of, but it is difficult to work with due to the nature of how its tracks function -- generating silence early or cutting it to get a track starting on beat. It is also hard to crossfade, which is a basic feature in most DAWs, one I personally take for granted but I think would be most useful around 1 minute of your piece, or anywhere you have multiple entrances.
I particularly enjoy 1:25 and beyond where we delve into downpitched and reversed, glitching tones. 1:56 in particular caught my attention, as did 2:11. You've almost turned it into a rhode, and I would love to hear the production process on that.
In conclusion, this piece has quite a few stops and starts, but it contains many worthwhile, very weird ideas. Despite this not being my genre of choice, I really enjoyed the listen, and the parts I highlighted in particular!