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Oh, I remember this. Reminds me of Wonderwall -- probably the style of delivery and the relative chord progression. Good for a demo, but the mixing and vocal delivery are your weakest point. If singing out in that range is hard for you, I'd just capo the guitars, and port any electronic instruments into the right key. Vocals need harder compression. Track as a whole could use less reverb. I'd like the guitar doubletracked in the left and right with a chorus, the drums panned a little better, bass centered.

MistyE responds:

Thanks! I've definitely improved on the mixing aspect of things, I hope. I totally get what you mean about the reverb, and my vocals would sound better if I transposed it up several keys.

Oh and the Wonderwall thing - Oasis is among one of my favorite bands and they've got several songs with those types of progressions, so it's definitely something I picked up from them.

Jesus, you're a man of many hats, Jazza, and wonderfully talented. Masterfully done.

Now that is a hard brick wall!

I appreciate the cinematic elements of your mixes, as usual, and of course your characteristic growls. The super hard compression has robbed you of dynamics, though. Also getting a little pumping here and there where parts that should not be as loud as your growl are coming in and actually sounding louder. Could be compression or just the result of not EQ'ing each individual track to its strengths. This can even be as simple as just cutting the 0-80 Hz out of every instrument but the bass. You'd be surprised what is lurking around in there.

Love ya, brother. Keep doing what you do.

Ooh funky delayed drums. That's my thing.

Interesting little groove. Gets infectious. Levels could be better, but hey. Realized I was tapping my foot. I actually really like this. Got a good flow for the most part.

Ooh, pretty chord. Then more pretty chords. Sounds like a really old videogame vst. I'm not quite hearing the apocalyptic feel, unless that's to come some time later. Interesting lead writing. That's not an overarching melody I'd have thought of.

Ride cymbal sounds good. Drums are buried in those strings and lead.

Slow build... I think I heard this one before. Actually, dead sure I have. Is this a duplicate?

Okay, it could just be that I'm sick of hearing this song after spending forever removing stolen versions of it from the AP, but this remix didn't really excite me very much. To be fair the original melody isn't particularly very evocative, and everyone uses this chord progression at least once.

The song itself feels very quickly produced. The piano especially, and the sort of uniform 100% velocity, it feels like. Plus the leads are octaved and never seem to do anything interesting together. Lead is also way too loud for my taste, and this could have used a lot more bass.

Just not a fan favorite for me. No hate pls >.>

PancakePocket responds:

Don’t worry! I like criticism because it makes me a better musician! Thanks for the help!

Gotta say, the beeping is getting me. Maybe a couple dB down and it'd work better. I really like the tone otherwise, and the percussion works very well. A simple, effective theme.

Interesting melodic idea. Also, I just realized this is from 2012 and not just something like a couple years ago. Good on ya! I'm a sucker for old hipstery noises, too. A good loop, even if I wish the theme were further expanded.

Sounds very Sega Genesis 80's. I'd like just a bit longer releases on your synths. Snare could also use a bit more snap to it. It sounds very laid back and un-action-y. As is, sounds sort of like a sunset drive. The track itself otherwise is quite minimalistic. Not much to critique here other than that it's very, very loud, haha.

cloudnone responds:

Yeah. Shit’s old as hell and I’m way passed the “doing crappy chip tunes” stage nowadays xD

Music, samples, music producer freebies, voice acting, voice models, and otherwise rare finds. Рада помочь русскоговорящим. Семплы в ссылках вниз)))
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