ADR3-N's audio Reviews on Newgrounds

[chuvstva]

Прикольно, абсолютно прикольно. Микс звучит профессионально, буквально так, как много из моих любимых, ахах. Но мне интересно, откуда слышала эту мелодию в прошлом. Наверно забыла.

Спасибо за то, что пришел в NGADM

[Shine Bright]

Great selection of chords and perfect emulation of disco feel. I think I would like a bit less presence on the backing chords and a bit more to your lead. Muted guitar is also just a tad loud.

Other than that, great arrangement and smooth transitions all around. I think I'd like a poppier snare with a bit less reverb.

Thanks for coming out to NGUAC!

edit: yes, on my part lol. Sorry I'm retarded. I'm judging for both and get acronyms mixed up lol. I think there is still time for NGUAC cough

xanxoepico responds:

Oh yeah I rushed the mixing a bit, the pad in particular I struggled to compress well enough lol.

Thanks for the review, though I remember submitting this on the NGADM post, not the NGUAC, are they interlinked or was there a confusion?

[XCRIZ - Magic Walk]

I think this piece would benefit most from more control on the reverb wet signal. It's really up there. However at 36 seconds it's sounding decently clean.

At 48, your harmony synths are really blowing your lead arpeggios out of the water. I would turn them down by a dB or three to leave room for bass, countermelody, etc.

I do really appreciate your use of samples. They are tasteful and well arranged.

As a whole, your writing is excellent, as well as your arrangement. I would not duck down the volume at transitions as aggressively, or for as long. You can try alternate methods such as "chasing the fade" (google will help in this regard, as I am nonsense at explaining this concept)

Thanks for coming out to NGUAC!

Also there is a long silent tail at the end you could probably chop with audacity.

[disparate]

Nice album cover!

I think your kick could use to be a bit less distorted, as well as your bass. Bringing down the harmony could also help them to be more present. I found the intro chords to be quite loud throughout relative to other elements of the piece.

Thanks for coming out to NGUAC!

[sinky]

I think I would like more presence on the drums in your intro. Otherwise, I have no real words of critique. I appreciate the jungle elements going on and the attention to detail with samples. Although, I am really getting a hankering for dialup tones after listening to this.

I think a fadeout for an outro would be more appropriate for this track than an abrupt stop.

I'm unsure if I would like more bass or not throughout. Probably the wildest track I've heard all week.

Thanks for coming out to NGUAC!

xxxZigZagxxx responds:

Thank you! <3

[Utopia]

Gorgeous intro arp -- I think it would benefit from less low end on your reverb, if you can cut around 300 hz on that wet and below.

Your lead intro at 30 seconds is tastefully done

Sidechain at 40 seconds is also quite tasteful. I'm appreciating your panning work as well.

Overall, I don't think I have much in the way of critique. The mix sounds fantastic, and the piece glides smoothly from start to... 1:30

Chords tremeloing at 1:50 are absolute saaaaauce. Crashes nicely placed at 2:00. Chord progression is complex but not overly so, and very reminiscent of RNB.

Only detractor is there is not a smooth finish. I'm unsure if you meant this to loop or not. A fade out or a final chord would do more justice.

Excellent work. Thanks for coming out to NGUAC!

Xyrul23 responds:

TYSM for the feedback!

[Blaze Of Beheaded Fungi]

I think I would have chosen a different snare for this piece. As a whole, you have a pensive, dark mood and fairly heavy drums. Perhaps even pitching it down and adding some digital or analog clipping a la Slam Pup or Cymatics Diablo would help push it a bit harder.

I'm enjoying the bassline quite a bit. It drives the piece forward well. A bit more presence for your string pads would work wonders. You can use a slight sidechain to duck them down on the kick and snare for further drive. Modulating the amount of reverb in places would also help, as there are some sections that do benefit from the shoegaze wash I'm hearing and others which could use more clarity.

Additionally, I was so disappointed not to hear a final chorus. That is where this piece really shines.

Great work. Thanks for coming out to NGUAC!

[Imperfecto]

I enjoy your lead writing, however the swing against the straight 4 cowbell is a bit distracting. Something feels a bit off.

I would also remove the 250 hz reverb wet by about 50% as that is taking up the majority of the low end spectrum and will resonate on speaker systems such as soundbars and bluetooth devices. It is not so noticeable on headphones but still takes a lot of presence on the soundstage, where your lead should be.

Mastering compression would help this mix a lot. It appears to be relatively quiet.

Aside from that, the piece is thematically consistent and does not have many distractions from the main melody. Nice work!

Thanks for coming out to NGUAC!

[Barriers]

Wow, smooth and very interesting mix on that percussion. Sounds strikingly original. It feels very much as if coming out of a mono TV speaker, which I don't know how to feel about!

I think I would like your keys around 30 sec to pan 20% or so left to leave space for the lead to sit roughly center.

The marimba/xylo in the right channel is quite present throughout. I'm unsure if at points it is meant to be the lead. If so I would bring it closer to center.

One thing I do not entirely know if I like is the bass is quite muted. I think I would like to hear more of the 4k range or some fizz/string noise like sounds.

Composition wise however this is wonderfully varied despite holding much the same style and instrumentation throughout. I think it's beautiful. Guiro accents also are tasty. I would like to hear those pan left to right across the soundstage, like a call and response (quarter note/half note left, then right a piece)

Wonderful work. Thanks for coming out to NGUAC!

[Enemy Territory]

Sirens are a great touch. Composition is driving and thematically consistent.

I would like less volume on the crashes to compensate for how quiet the rest of the piece is. Kick could have a shorter tail and accentuate the piece much more.

I very much like your arrangement and the energy of this piece. It feels like a march preparing for battle.

You could use more varied crash samples as well and pan them in various spots around the piece.

outro is short and cuts off early.

Some great things going on here in terms of theme and concise ideas. There is not too much going on, in a good way, no distractions. I would like a bit more clarity and some mastering compression to bring out the energy of this piece, and potentially side chain of the kick to the bass.

Overall, nice work! Thanks for coming out to NGUAC!