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Wonderful work with composition, arps, and chord progression

Mix could use help! The hihats are up so, so high!

Lead also could use to be double tracked and have more wet applied to it. It would sound better panned as 2 slightly different performances, panned 5 to 15 percent left and right respectively

The rhythm guitar also should be two different instances, panned 100 percent left and right.

And note I have not much to say about your writing at all, as there is quite literally nothing wrong with it. It's nice and spirited. Great, great, great!

recme responds:

i was hoping for mixing comments, as thats my weakest suit. ill experiment more with panning. though i do not understand the rhythm guitar comment. wouldnt that make it mono? im guessing you mean pan some notes 100 left and right.

a different sample shouldve been used for the hihats, yea. now i notice it. shouldve done a deeper sound :P

thank you for the help!!!!

You are coming out with damn near a whole album this competition. Great job, and great spacious chords. I think your mixing is sounding a bit better each time.

For this track, your vocal performace is great. I think the backing vocals could be compressed harder and brought a bit more to the front

best mix, 1:39

The bass drum is not sticking out heavily as on other more mid and top heavy sections. I think it could be brought down just a bit still

Vocal FX are also sounding better.

Great atmospheric lyrics.

Mischa-head responds:

Thank you! I've found the deadlines really motivating to get things written, and all the feedback has been really helpful. Really glad I entered the two audio contests.

Very clean brass library and tasteful use of it! Excellent. I think you've accomplished your goal in your treatments of the individual instruments. For those solos, I'm floored those are not actual human beings. Wow. I haven't heard someone treat them so well!

I'm also impressed with your very contemporary mixing, esp toward the end. I think the initial brass stabs could use a bit more support undergirding them harmonically, think euphonium added vs just trombones.

Beyond that, FANTASTIC

I disagree that this doesn't suit a flying track, if by flying you mean on a bullet train through various fields. That's the feeling this evokes for me. In addition to the comments of SplatterDash and TL, I think this track is a bit mid heavy, but there is not much else wrong with it. Perhaps it could actually use less dynamic range, in my opinion. I enjoyed it!

WILD dance track. Sounds like a DJ set all its own, which is an accomplishment for an original! Lovely blend of various styles of dance music. It works fantastically.

Could have a bit more clarity, but when you have a time constraint such as this, that's understandable. Great show of skill!

KayozKun responds:

Thank you so much for the feedback!

All I have to say is your percussion is a feast for the ears. I think the shakers could stand to come down some more due to their repetitive nature, but this is a groove. Nice!

Kassich responds:

Thank you for the review and for all your work in judging! I'm sure your ears are tired! Also, I agree on the shakers level now listening to it again.

That's quite a long intro! Surprised me. Also a nice pleasant chord progression there. We will wait to see where it goes. At times it reminds me of my heart will go on ahaha.

Now at 2:09 we have a transition into a more classic electronic mode. Sounding olskool. I think the white noise could come down some, as could the hihat -- give it some time to get up to speed before introducing the full volume hat.... wait, it appears to be getting louder. Kick is subtle until drop at 2:57. Recommend keeping it balanced rather until then.

At 3:10 it's a bit hot on the mixer, sounding like brick wall limiting. I would actually increase low cut on delays and reverbs here. The mix doesn't have that full head headache giving quality to it luckily but it is close by 3:54 and 4:29. The introduction of piano is a plus. sounds like it's clipping at the mixer though a bit. I hear a sharp dip at 4:42 that was not meant to be there as you drop down for your transition.

Otherwise, enjoyed the track. Great work. Outro is well done. Wow, what a monster track

Olindel responds:

Some easy errors that could have been avoided with a full month worth of work but in the end the track isn't as bad as what I expected it to be. Thank you for the feedback and glad you enjoyed!

Insane arpeggios on that piano -- I think a bit of clarity is getting lost in the reverb due to lack of low cut. Otherwise, doing a fantastic job at keeping tensions high, and working with even minimal instrumentation during sections to do so. That's a testament to great arrangement.

I do think hihats can come down by quite a bit and potentially be panned differently. So a more conventional treatment of, say, a jazz set in this context would do you many favors. Great work!

I think the mixing on the vocals could use a more conventional treatment of compression, chorus, width, delay, and etc. The clarity is getting lost somewhat when the mix is heavy. The mix as a whole sounds quite shoegazed which is not a problem in a clear mix. Beyond that, great work!

Such a beautiful piece, and very tastefully written. I don't have much more critique beyond that there are a few swells in which the mix gets top heavy, and the piece as a whole could be just a tad louder for ease of the listener. Beyond that, wonderful

GlowBoyMusic responds:

Thank you so very much. I do appreciate your feedback. I will take your advice into consideration, too!

I loved being a part of this amazing competition. Full of incredibly talented and amazing people. And I am proud of so many of them.

— Glow

I make beats, metal, samples, patches, dnb, original game soundtracks, RVC voice models, and Russian/ English translation covers. Follow for monthly music producer freebies! Рада помочь русскоговорящим. Семплы вложены в ссылках вниз)))

Age 29

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